Et kort skal bibringe forståelse, ikke billeder ...
/Sik
The purpose of the map is insight, not pictures ...
/Sik
Quote
By Manuel Lima
The purpose of visualization is insight, not pictures"
- Ben Shneiderman (1999)
Over the past few months I've been talking with many people passionate about Information Visualization who share a sense of saturation over a growing number of frivolous projects. The criticism is slightly different from person to person, but it usually goes along these lines: "It's just visualization for the sake of visualization", "It's just eye-candy", "They all look the same".
When Martin Wattenberg and Fernanda Viégas wrote about Vernacular Visualization, in their excellent article on the July-August 2008 edition of interactions magazine, they observed how the last couple of years have witnessed the tipping point of a field that used to be locked away in its academic vault, far from the public eye. The recent outburst of interest for Information Visualization caused a huge number of people to join in, particularly from the design and art community, which in turn lead to many new projects and a sprout of fresh innovation. But with more agents in a system you also have a stronger propensity for things to go wrong.
I don't tend to be harshly censorial of many of the projects that over-glorify aesthetics over functionality, because I believe they're part of our continuous growth and maturity as a discipline. They also represent important steps in this long progression for discovery, where we are still trying to understand how we can find new things with the rising amounts of data at our disposal. However, I do feel it's important to reemphasize the goals of Information Visualization, and at this stage make a clear departure from other parallel, yet distinct practices.
When talking to Stuart Eccles from Made by Many, after one of my lectures in August 2009, the idea of writing a manifesto came up and I quickly decided to write down a list of considerations or requirements, that rapidly took the shape of an Information Visualization Manifesto. Some will consider this insightful and try to follow these principles in their work. Others will still want to pursue their own flamboyant experiments and not abide to any of this. But in case the last option is chosen, the resulting outcome should start being categorized in a different way. And there are many designations that can easily encompass those projects, such as New Media Art, Computer Art, Algorithmic Art, or my favorite and recommended term: Information Art.
Even though a clear divide is necessary, it doesn't mean that Information Visualization and Information Art cannot coexist. I would even argue they should, since they can learn a lot from each other and cross-pollinate ideas, methods and techniques. In most cases the same dataset can originate two parallel projects, respectively in Information Visualization and Information Art. However, it's important to bear in mind that the context, audience and goals of each resulting project are intrinsically distinct.
In order for the aspirations of Information Visualization to prevail, here are my 10 directions for any project in this realm: [...]
Read more: http://www.directionsmag.com/article.php?article_id=3354
- Ben Shneiderman (1999)
Over the past few months I've been talking with many people passionate about Information Visualization who share a sense of saturation over a growing number of frivolous projects. The criticism is slightly different from person to person, but it usually goes along these lines: "It's just visualization for the sake of visualization", "It's just eye-candy", "They all look the same".
When Martin Wattenberg and Fernanda Viégas wrote about Vernacular Visualization, in their excellent article on the July-August 2008 edition of interactions magazine, they observed how the last couple of years have witnessed the tipping point of a field that used to be locked away in its academic vault, far from the public eye. The recent outburst of interest for Information Visualization caused a huge number of people to join in, particularly from the design and art community, which in turn lead to many new projects and a sprout of fresh innovation. But with more agents in a system you also have a stronger propensity for things to go wrong.
I don't tend to be harshly censorial of many of the projects that over-glorify aesthetics over functionality, because I believe they're part of our continuous growth and maturity as a discipline. They also represent important steps in this long progression for discovery, where we are still trying to understand how we can find new things with the rising amounts of data at our disposal. However, I do feel it's important to reemphasize the goals of Information Visualization, and at this stage make a clear departure from other parallel, yet distinct practices.
When talking to Stuart Eccles from Made by Many, after one of my lectures in August 2009, the idea of writing a manifesto came up and I quickly decided to write down a list of considerations or requirements, that rapidly took the shape of an Information Visualization Manifesto. Some will consider this insightful and try to follow these principles in their work. Others will still want to pursue their own flamboyant experiments and not abide to any of this. But in case the last option is chosen, the resulting outcome should start being categorized in a different way. And there are many designations that can easily encompass those projects, such as New Media Art, Computer Art, Algorithmic Art, or my favorite and recommended term: Information Art.
Even though a clear divide is necessary, it doesn't mean that Information Visualization and Information Art cannot coexist. I would even argue they should, since they can learn a lot from each other and cross-pollinate ideas, methods and techniques. In most cases the same dataset can originate two parallel projects, respectively in Information Visualization and Information Art. However, it's important to bear in mind that the context, audience and goals of each resulting project are intrinsically distinct.
In order for the aspirations of Information Visualization to prevail, here are my 10 directions for any project in this realm: [...]
Read more: http://www.directionsmag.com/article.php?article_id=3354
“Strategy” has become a buzzword nowadays. Everyone in the companies talks about it and everyone knows that they need it (well, almost everyone). In fact, the digital product strategy is one https://cxdojo.com/digital-product-strategy-from-idea-to-execution
SvarSlet